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The newest, large-scale project The Carnival of the Animals collects a series of modular performance works following the 14-movement structure of Camille Saint-Saëns’s 1886 musical suite for children.
The Every house Carnival considers endangered and extinct species, with an original performance devised in response to each of Saint-Saëns’s titles, following those imaginative classifications. With sections of varying durations, media, and casting, Finnish artist Essi Kausalainen’s handmade costumes provide the visual/material common vocabulary, facilitating the celebratory transformation of human into hybrid entity. The intricacies of non-human life provide the foundation. Development of the first performances began in Autumn 2018 with Royal March of the Lion and Aquarium.
As a way of introducing the project, Every house made the short film below, commissioned by and premiered at Animals of Manchester (including HUMANZ), an interactive Live Art experience created by Hamburg-based artist Sibylle Peters (Theatre of Research) and London’s Live Art Development Agency (LADA) which poses questions about the relationship between humans and other animals, Manchester International Festival.
This 4-minute film animates and narrates a photograph Marcelin Flandrin took from an airplane over the Atlas Mountains in the Maghreb on a flight from Casablanca, Morocco to Dakar, Senegal in 1925. It gives us the last visual record of a wild North Africa ‘Barbary’ lion, hunted in the 20th century to extinction.
Development of the live works was indefinitely postponed in response to the Covid-19 pandemic but work continues on the projects with hopes to return to performing for assembled live audiences in 2022.
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